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Horowitz and Nas fund grants for aging hip-hop pioneers

Sep 24, 2026Summary from 1 podcast.
  • Ben Horowitz and Nas launched a foundation giving five-year grants to early hip-hop pioneers.
  • Corporate brands made billions off early rap culture while founding creators got no royalties or equity.
  • The Paid in Full Foundation pairs financial backing with formal industry honors for aging artists.

Rap created billions in enterprise value. Its originators got nothing.

On The a16z Show, music executive Steve Stoute and rapper Nas detailed how corporate brands absorbed hip-hop aesthetics without offering equity or royalties to the culture's founders. Major apparel labels turned modest market shares into global footprints by leveraging rap culture. Yet pioneers like Grandmaster Caz - who penned the lyrics for rap's first commercial hit - were left without royalties, pensions, or basic healthcare, spending decades surviving in public housing.

The industry built no safety nets or retirement systems for its originators. While record labels and corporate sponsors monetized the genre's explosive global growth, the artists who laid the technical and lyrical foundations faced immediate financial insecurity as they aged.

When Stoute and tech investor Ben Horowitz began making phone calls to offer direct financial support, several legends hung up, assuming the offers were a scam. Decades of institutional exploitation had left early creators profoundly skeptical of sudden corporate benevolence.

To bridge this gap, Horowitz and Stoute established the Paid in Full Foundation. The organization provides recipients with five-year direct financial grants matched by Horowitz's personal capital, giving artists long-overdue economic stability. For Grandmaster Caz, the grant provided the funds required to leave Bronx public housing and buy his first home.

Nas emphasized on the show that financial relief alone was incomplete without institutional respect. Money distributed without public peer recognition risks looking like charity rather than restorative justice. The foundation structures its grants alongside formal honors, ensuring recipients are credited for their foundational contributions to music history.

Equity arrived decades late, but the precedent is set.