The media is not broken. It’s being dismantled from multiple directions at once.
Sylvia Browne didn’t just lie. She weaponized local TV to position psychic fraud as public service. On shows like *People Are Talking* and *Montel Williams*, she claimed to help police solve crimes. In reality, she told Amanda Berry’s mother her kidnapped daughter was dead - while Berry was still alive, held captive for a decade. The platform gave her legitimacy. The producers didn’t fact-check. They wanted drama.
That era relied on soft disclaimers - “see a doctor first” - to feign responsibility. Today’s grifts skip the pretense. Digital media rewards virality, not caution. The line between entertainment and deception has vanished.
Now, the state mimics the grifter’s playbook. Donald Trump and FCC Chair Brendan Carr are threatening media outlets with treason charges and license revocation over Iran war coverage. They dismiss verified footage as AI-generated fakes. This is not new. Every unpopular war - from Vietnam to Iraq - triggered censorship under patriotism’s guise. The difference now is the tools: AI lets authorities label truth as disinformation.
At the same time, Peter Diamandis is spending $3.5 million to fund sci-fi films that paint AI as salvation, not doom. Backed by Google and Range Media, the Future Vision X-Prize aims to replace *Terminator* with *Star Trek*. The goal isn’t just optimism. It’s narrative control - shaping what gets built by reshaping what we believe is possible.
The public is caught between manufactured fear and manufactured hope. Both serve power. One silences. The other seduces.
Robert Evans, Behind the Bastards:
- This is not a harmless psychic.
- This is someone inserting yourself in missing person's cases, you've become a monster.





